Sunday, January 25, 2015
Another 9 hours on my painting.
Getting into all the nuances of the small reflected areas. I have to delete quite a bit, so that it does not become over busy and hard to look at...but exciting at the same time.
Monday, January 19, 2015
Rules in creating an effective still life painting or drawing
Here is a list of things that I think about when planning out my still life.
1. Always use odd numbers of objects.
2. It is not about the objects, it is about where they are located and where the light is coming from.
3. Pick three different size objects.
4. Design the background like you are putting on a play with a stage.
5. Horizontal lines stagnate the design, keep with diagonals.
6. Pick object that are harmonious with each other. Either similar or complimentary, as if you were going to were them tonight to the ball.
7. Do not use dull object with one brightly colored object, particularly if that object is really big, it will take over the painting.
8. Do three sided crops if you are going to crop at all.
9. Do not crop thing in halves, awkward.
10. When designing, draw the flow of the objects..not the objects themselves. How do you want the eye to move around the space. This is achieved by sharp edges, bright color notations, descriptiveness, etc. Tell me what you want me to look at first, second third..etc.
11. Do not put objects in the middle unless that is what you want.
12. Do not put object equal distant, grouped in the middle.
13. Pick objects that are your own and unique. Bottles, fruit and other subject has been done over and over. If you choose them, pick something unique about it. Unique Eye level, cut them up, break them into pieces something to make it your own.
14. Get personal with the objects. See them as figures in a room. See how they relate or don't, play with that idea.
15. Do you thumb nails to figure out how to package your composition with strength right from the beginning. You won't get it to work well later.
16. Change the set up around as you work to make it better...subtle changes.
17. Don't paint the object in. Get the drawing issues out of the way and start using the paint to represent areas or color, value, texture, idea. Don't save outline, it won't help the painting.
I hope this helps all my students with their visual thinking. Look at others, how they set up their still lives and figure out what they are doing...so much to learn.
Happy Painting.
1. Always use odd numbers of objects.
2. It is not about the objects, it is about where they are located and where the light is coming from.
3. Pick three different size objects.
4. Design the background like you are putting on a play with a stage.
5. Horizontal lines stagnate the design, keep with diagonals.
6. Pick object that are harmonious with each other. Either similar or complimentary, as if you were going to were them tonight to the ball.
7. Do not use dull object with one brightly colored object, particularly if that object is really big, it will take over the painting.
8. Do three sided crops if you are going to crop at all.
9. Do not crop thing in halves, awkward.
10. When designing, draw the flow of the objects..not the objects themselves. How do you want the eye to move around the space. This is achieved by sharp edges, bright color notations, descriptiveness, etc. Tell me what you want me to look at first, second third..etc.
11. Do not put objects in the middle unless that is what you want.
12. Do not put object equal distant, grouped in the middle.
13. Pick objects that are your own and unique. Bottles, fruit and other subject has been done over and over. If you choose them, pick something unique about it. Unique Eye level, cut them up, break them into pieces something to make it your own.
14. Get personal with the objects. See them as figures in a room. See how they relate or don't, play with that idea.
15. Do you thumb nails to figure out how to package your composition with strength right from the beginning. You won't get it to work well later.
16. Change the set up around as you work to make it better...subtle changes.
17. Don't paint the object in. Get the drawing issues out of the way and start using the paint to represent areas or color, value, texture, idea. Don't save outline, it won't help the painting.
I hope this helps all my students with their visual thinking. Look at others, how they set up their still lives and figure out what they are doing...so much to learn.
Happy Painting.
Sunday, January 18, 2015
Starting In
I am starting to work oils over my acrylic washes. Deciding what information is the most important. Keeping in mind to move around the picture plane to create balance in color, mark and value. Worked for 5 hours today.
Sunday, January 11, 2015
Large Scale Painting
Here is the beginning of posts. But the start of the painting will end up being last...so please scroll through. I start by spending about a week working on the still life itself...sketching...trying to figure out what I want. I am working on a 36X24 which isn't that oversize.. but it will give me something to demo with. Here is the picture which usually gets printed out in black and white and then I work entirely from life and the sketches. Then I begin with my underpainting. Once I sketch, I throw the pictures away and work entirely from life. I like drawing it upside down... Keeps the brain out of the way. I also like to put down really hot colors to start....
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